Cover Reveal: The Most Wonderful Time Of The Year by Marie Landry

Today I'm thrilled to be part of the cover reveal for The Most Wonderful Time of the Year by Marie Landry. Anyone who's followed the blog for any length of time probably knows Marie and I have been friends a long time. And anyone who follows my reviews definitely knows that I think she's a fantastic writer--and I don't say that easily.

But you're not here for a history lesson, are ya? :D Scroll down and take a look at the cover and synopsis, then feel free to leave a comment about whether you'll be picking this up when it releases on November 5th, 2013!

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(Summary provided by the author)

Christmas is the most wonderful time of the year, right? At least that’s what twenty-year-old Ginny Bailey’s grandmother always told her, and Ginny believed it until Grama died. She even put on a brave face the following two Christmases, carrying on Grama’s traditions and decorating her house and café with Grama’s favorite decorations.

But Ginny can’t pretend any longer. When she finds out she’s going to be alone for the holidays this year, her Christmas spirit goes out the window, along with her luck. Everything that can go wrong does, and Ginny just wants to spend the holidays hiding under the covers...until Dean Riley comes back into her life. With a shared past, old feelings begin to resurface almost immediately, and Ginny thinks Dean might just be the Christmas miracle she’s been waiting for to help her remember why Christmas is the most wonderful time of the year.

Did that grab your interest? Add it on GoodReads! 

Marie Landry is the author of BLUE SKY DAYS (contemporary YA—January 2012), THE GAME CHANGER (women's fiction—November 2012), WAITING FOR THE STORM (contemporary YA—April 2013), and THE MOST WONDERFUL TIME OF THE YEAR (a new adult holiday novella-November 2013). Marie has always been a daydreamer; since early childhood, she's had a passion for words and a desire to create imaginary worlds, so it only seemed natural for her to become a writer. She resides in Ontario, Canada, and most days you can find her writing, reading, blogging about writing and reading, listening to U2, wandering around with a camera in her hand, watching copious amounts of TV on DVD, or having grand adventures with her nephews and niece. For more on Marie and her books, please visit sweetmarie-83.blogspot.ca

Blog | Facebook | Twitter | GoodReads 

So, what do you think of the cover and summary? Do you think you'll read The Most Wonderful Time of the Year? I'd love to know, so feel free to leave a comment. :) 

STAINED Blog Tour: Q&A and Giveaway!

Yesterday I posted my review of Cheryl Rainfield's new novel, Stained. Today I'm here with a fabulous Q&A with Cheryl and a pretty awesome giveaway, too. :) Read on to find out a bit more about the mind behind one of my favorite novels of 2013 and to enter for a chance to win some of Cheryl's books. Thanks for dropping by!

I've read or been well aware of several stories involving kidnapping and / or rape in YA in the past couple years. STAINED is far more gritty and stark then what I generally see. (Note: I commend you for this. It takes guts.) Did the way STAINED was told present any unique challenges for you as a writer? Were you ever worried about how readers might react to what is here, as opposed to what you are trying to say or what these characters' story needed?

I think sometimes abduction is shown as almost romantic or thrilling—or at least some TV shows and movies and even books gloss over the harsh reality, the pain and utter loneliness and despair and terror. I wanted to put readers right into Sarah—to have them feel what it’s like and hopefully come out of the experience grateful for the good things they have. I also wanted people who’d been through similar experiences, such as rape or confinement or bullying, to know that they’re not alone, that someone else understands, and that you can survive that and still be strong. To do that, I have to write honestly, emotionally, and deeply, and that’s what I did. I also focused on telling as good a story as I could—as real and emotional and heartfelt as I could, while keeping up the suspense.

Since I drew on my own trauma experience to write STAINED, at times it was painful or triggering of my own abuse when I wrote and edited the book. But I also knew that I was writing a strong girl character (and an emotionally strong boy character in Nick), and reminding others that survivors are strong and that we can save ourselves and heal. That felt important to me.

I love Nick. I felt that the way that having his POVs balanced against Sarah's provided a bit of breathing room and a way to cope or get my brain around what was happening. I also think that the connection between these two characters was unique, since we have Nick loving her from word go and Sarah realizing her feelings for Nick and having to deal with them in light of her own situation. Was there any particular inspiration for Nick? Did anything in particular help you come up with how the situation with him and Sarah would work?

I’m glad you love Nick and that you got some breathing room from having his POV! That’s lovely to hear. (smiling)

I put bits of myself into Nick. I’ve always loved comics and superheroes, so I enjoyed giving that love to Nick (and Sarah, too), and I love to draw, like Nick does. I also eat emotionally, or have, the way Nick does, and I’ve been uncomfortable with my body and weight. I’m also, like Nick, a geek and a bit of a loner and socially awkward—more so as a teen, but some of that is definitely still there for me. And like Nick I love my tech toys. (smiling)

When I created Nick, I also thought about someone I know who longed for a girl who didn’t reciprocate his feelings, and how long he hung in there hoping she’d change her mind. And I thought about how sometimes those of us who are geeky and awkward and deep are sometimes initially passed over for others who appear confident.

There have been a few contemporary books this year where super heroes or comics have mingled with a lead character's self perception and self worth. (Blaze and The Summer I Became A Nerd both immediately spring to mind.) Each of these books has had a very different feel and tone, but the interest in connecting image to heroes for female characters seems to be a 'thing' in 2013. How did Sarah's interest in comics come about? Were you already really into comics, or did writing this aspect of her character take a lot of research?

I am a comic and superhero geek. I’ve loved comic since I was a kid. When I was a kid being abused, I used to wish I could be like Superman and have the weapons used against me bounce off my skin the way they would Superman, or could rage like the Hulk and escape when I was imprisoned or being abused. A lot of the superhero material in STAINED comes from my own longings and thoughts over the years. I have a lot of Superman and Wonder Woman paraphernalia in my place, I love wearing superhero T-shirts, and (grinning) I’m dressing up my little dog Petal as Wonder Woman this Hallowe’en.

Petal, looking adorable in her
Wonder Woman Costume. :)

When I was a kid and teen, the focus for me in superhero comics and movies was the way the heroes could save and protect themselves and others, their goodness, the ways they couldn’t get hurt—or endured more than most people could, like me. I also identified with the ways they felt different or other, just like Sarah does. In later years, I also came to really appreciate well-written, powerful comic writing, and how much more appealing a good writer can make a super hero. How she or he can help us identify with them and care about them.

Cheryl Rainfield, a true
Superman fan. :)

I also think it’s important for us all to see strong girl characters and strong girl/women superheroes (in books, comics, movie, and TV)—there aren’t enough, and there aren’t enough that aren’t overly sexualized. White, straight, male superheroes still crowd out all the others, and there are very few female superheroes that actually feel strong to me. I love Batgirl (Cassandra) and Batwoman—they’re both my favorites.

Many people, much like the police and reporters in your book, have an assumption that if a missing person is not found within 48 hours they have likely been killed. I must admit that I was actually really surprised by the length of time that Bryan had Sarah before she got free. Did this present any particular challenges for you when writing STAINED? Was there a purpose or reason for going this route? (I will say that I felt it would leave a much more lasting impact on the character. It was also, as I said above, unexpected. Which is always welcome.)

One challenge I had over the length of time that Sarah was held captive alone was the worry that it would get boring without anyone else for her to interact with. But I believe that her memories, her attempts to get free, the visits from her abductor, and Nick’s POV interwoven with hers, along with the increasing threat to her life, help keep it interesting.

I chose to have Sarah held captive for a long period of time because I really wanted to show the impact of long-term trauma—it’s what I know personally, since I’m an incest and ritual abuse survivor, and I also don’t think that it’s often portrayed realistically or well or from an insider perspective, and I wanted to bring that. Some people who are abducted are held for longer periods rather than shorter—as seen by some recent cases in the news where the survivors managed to get free, and people who grow up abused and confined experience it on an ongoing basis. My own periods of confinement were shorter than Sarah’s, but they were repeated for years and years, especially during the summer months. I wanted people coming away from

STAINED to see the effects of trauma, but also to appreciate their own freedom and the good things they have. I think sometimes we need to be reminded that we have some good things in our lives right now, or that perhaps they’re not as bad as we think they are. And I wanted people who’ve experienced trauma and rape to find validation and empathy, knowing someone else understands. I wanted readers to remember that survivors are strong, and that we can fight back and find ways to save ourselves.

Because I grew up being abused and tortured, frequently raped, confined, having food and water withheld from me, and having my life threatened verbally and physically, I could never use phrases like “I’m starving,” “I’m dying,” or “that’s torture,” like people around me did, because I knew what those things really feel like. That’s an insight that I gave Sarah, as well as a renewed appreciation of being alive and a desire to live and follow her dreams.

Sarah is a very distinct and unique character, both based on the obvious (her port wine stain) but far more importantly because of the balance between determination and fear that we experience through her. How did STAINED come to you? Was this a situation where Sarah had a story to tell us, or where a story had need of Sarah? I don't think just any character could have made it through STAINED, so I'd love to know more about how the heroine came to be and what her role was in the story's overall progression.

I needed to tell the story I told, with all the threads it has, because it’s part of my own experience that has caused me so much pain. I want to make a positive healing difference in the world through my books. STAINED gave me a voice, and allowed me to remind others that they’re not alone, that someone else understands, and that they are strong and can find happiness even after trauma. I also hope to increase compassion in people who haven’t gone through similar experience through the power of emotionally honest story. Books are powerful; through them we can step into someone else’s experience and soul in a way that I don’t think we can so deeply through any other medium.

There is so much of me in Sarah—in her pain and her emotional strength, her doggedness to survive, the way she kept her soul and inner self intact and untwisted by mind control, the way she was able to protect others from bullies but not herself, the way she fought back psychologically and sometimes physically against her abuser, the ways she tried to and actually did save herself—multiple times. Like Sarah, I also struggled with body image issues and low self esteem, didn’t believe anyone really liked me or could like me or find me attractive, and was bullied. I don’t have a port wine stain, but I do have pretty visible scars on my arm and leg that people have stared at, made rude comments about, etc. And like Sarah, I’ve used writing as a way of healing, and I love superheroes and comics.

I drew on a lot of my trauma experiences and the effects to write Sarah. Like Sarah, I was confined, withheld food and water, repeatedly raped, and had my life threatened (only it was by my own parents, not a family friend), and the way those things affected me, affected Sarah. Like Sarah, I had to be the one to save myself—over and over again, in many different ways—telling people and asking for help, running away, fighting back against my abusers psychologically and sometimes physically—until finally I was completely and totally safe.

I believe books can help us heal, know we’re not alone, gain greater insight and compassion, and help us see our own strengths and new ways to cope. I hope readers find those things in STAINED.

Me: Thanks so much for dropping by I Write, I Read, I Review, Cheryl. I think this interview sheds a lot of light on some of the key parts of STAINED. Thanks for taking the time to answer these questions. :) 

Cheryl: Thank you so much, Kathy, for your thoughtful, insightful questions; I so appreciate it!

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As if a totally awesome interview (complete with Petal in her totally cute Wonder Woman costume--makes me want to dress Coco and D'Argo up) wasn't enough, I also have a totally amazing giveaway for everyone to enter. :) 

This is your chance to win not one, not two, but THREE ebooks! Click the links under the covers to check 'em out on GoodReads, and then enter for your chance to win. (Trust me, you want these. :) There are some authors who have earned auto-buy status from me. Cheryl is one of them.) 

GoodReads

GoodReads

GoodReads

This giveaway is open internationally. It will run from today (October 2nd) until 12:00 EST on October 16th. On the 16th a name will be chosen and that person will win eBook copies of all three novels. For your chance to win, just use the Rafflecopter below! :) 

a Rafflecopter giveaway  

Good luck! :)

A tremendous thank you to Samantha Lien for contacting me and asking me to be a part of the Stained blog tour. Also, a tremendous thank you to Cheryl Rainfield for writing such an amazing book, and for taking the time to answer my interview questions.

So, are you ready to read Stained yet? :D Did you find Cheryl's interview interesting? And (just to remind you) who is your favorite super hero? 

Don't miss a single stop on the Stained blog tour. For a complete schedule, click here! 

Review: Stained by Cheryl Rainfield

This review is part of the blog tour for Stained by Cheryl Rainfield. I received a copy of Stained via NetGalley in exchange for an honest review.

Having read and loved Cheryl Rainfield's novel Scars, I was extremely excited when I was contacted to take part in the tour for Stained. With Scars, which I stumbled upon in a rather roundabout way, I was drawn in immediately, and I was eager to find out whether Stained would have the same type of effect.

Despite knowing I liked Cheryl's writing style, however, Stained also represented a departure in genre for me. While it is still in many ways a contemporary novel, Stained also has suspense and thriller elements. It was very interesting reading something that both delved so deeply into its core characters and moved at a frantic pace, using in-novel timestamps to move everything along.

So, are you curious to find out what I thought of Stained? Read on and I'll share my thoughts. Hopefully I'll also convince you of why you should really sit down and check Stained out, regardless of what genre(s) of fiction you normally settle in with.

There is part of me that wands to skip writing a review all together and just go "Read it! Read it now!". But that would do both me as a reviewer, and this absolutely mind shattering book, a disservice.

The first thing I must tell you all is that while Stained is beautifully written, it is not a book for the faint of heart. Many books about abduction, violence, abuse and rape within YA take place after the trauma to the main character has occurred. We deal with the aftermath, the overwrought emotion, the 'what happens next'.

In Stained we live the experience, which is something that I found very gripping as a reader, but which I am very aware my cause triggers for some people. I'm extremely glad that Cheryl decided to take her book this route, as she is brutally honest and does not romanticize this the way I've seen a few other writers do. This is a journey into the depths of the heart of darkness. There are things that happened in Stained that made my skin crawl. But the important thing here isn't how horrible what happens to Sarah is. What matters is that despite being trapped in this living nightmare, we see a girl with the strength to not only survive, but also have the strength and desire to live by novel's end. (How she gets there and what, exactly, happens along the way? You'll have to read Stained to find that out.)

Stained is both a very tense, emotional novel, and a very meticulous, character driven one. I loved both Sarah and Nick. I think that Sarah is a fantastic main character and I really appreciated the fact that we see both her strengths and weaknesses, and then see these things effect her during her abduction. I think that there is a great deal of challenge in creating a character who can balance having both strength and vulnerability. With Sarah, Cheryl succeeded in striking that balance time and again.

As for Nick? I loved, loved, loved Nick. Nick is not your typical YA hero. He's fat. He's a nerd. He's a little out of the main stream. Yet he is oh so very real, and I loved his feelings for Sarah--both romantically and as a friend. I also really loved how his perspective was used to break up sections of the novel, both to increase and break points of tension, and to give the reader a glimpse of what was going on in the outside world. Further, with the amount that he (and her family) cared for Sarah, the amount they stood to lose if she was not found, my dread increased tenfold. I think that it was vital to show us that Sarah had things to live for, people who loved her. By sharing Nick's perspective, the reader will get that message loud and clear.

The last thing I want to give a nod to is that this is another book I've read this year that has the theme of super heroes being incorporated into showing the progression of a character's awareness of her own self worth. This is an idea that I find really fun and inspiring, and I loved the idea that if Sarah could somehow get out of this mess, she and Nick might be able to make comics together. When things were at their hardest, remembering how much she valued the ideas of her heroic character, Diamond, was one of the things that gave her the strength to keep going... I've never been in the situation Sarah faces in Stained, but as a lover of comics, video games and fantasy novels, I could immediately relate to this aspect of her personality and how it served as both her passion and a method to cope with the challenges in her life.

Stained is the kind of book that I wish everyone would sit down and read. From the beauty of the writing, to the depth of the characters, to the importance of the message, to the absolutely gripping plot... There is so much here that was brilliantly done that it's honestly very hard to get it all into words for you guys without going too far and risking turning this review into a novella.

Just trust me (provided something here didn't flash a warning off in your head)... This is one of the must-read books of 2013 and I'm certain that even as we pass into the new year, it will undoubtedly keep that must read status. Stained is a story of love and loss, hope and despair, sorrow and survival. Above all, it is a story of courage, hope, and the will to live that will stick with you long after the final page has been turned.

Amazon | Barnes and Noble | The Book Depository 

Make sure you come back tomorrow! (Oct. 2nd, 2013) I have a great interview with Cheryl and an awesome giveaway you won't want to miss. :D 

Don't miss a stop on the Stained blog tour. For the complete schedule click here!

Top 10 Tuesday: Book Turn-Offs

Top 10 Tuesday is a weekly book blogging meme hosted by The Broke and the Bookish. This week's topic is:

Where's the plot, man? 

Does this sound familiar? You are reading a book and it just keeps costing along. There is no structure. You have no freaking clue what the writer is doing or where the book is going. It goes from event A, to event B, to event C with no logical connection. And it's not a mystery novel.

I find this a lot in contemporary, and there are many times I will point this out and pardon it when I'm reviewing that genre. However, I point it out because despite my acceptance of it in contemporary novels, it still drives me batshit crazy. If nothing else, plot builds expectation and anticipation. It's one of the key ways (the others being character and mood) through which an author makes a promise to the reader.

And no, not having a plot does not exempt a writer from making a promise. All writers, of all genres, make promises to their readers through the text of their books whether they realize it or not.

Series that go on forever and decline in quality.

This is more of an adult PNR thing than a YA thing, thank God. It's actually one of the biggest reason I switched gears and went to YA stuff.

I can understand that authors of PNR and urban fantasy spend a lot of time developing the rules, history, species, etc. of their worlds. (Really, I can. This is my genre.) But when each book gets to a point of repetitiveness where I can tell you what chapter certain things are going to happen in within a series, Houston we've got a serious problem! This happens to long running TV series, too. There comes a point where the well runs dry.

I don't necessarily think there's a magic number this happens at. I'm certainly not suggesting that people shouldn't be able to write stories that go longer than a trilogy. But I am saying that it's something where an author needs to watch their step. You want to stay fresh, current and up-to-date. You want to intrigue and surprise readers, making them want to read you again next time with the same passion they wanted to after your first (or whichever of your books) made them want to from the beginning. In other words: don't get lazy.

Rehashing information from previous books in future ones. 

I get it. You want your book to be a "stand alone". But here's the thing: you're writing a series, dude! I can understand a bit of this, if the story can be enriched with a little reminder here and there. But (and this may not be a fair example since it's aimed at kids) I remember reading The Baby Sitters' Club growing up and thinking "OMG, here we go again!" when the Club's history was explained in every single book.

I'm sure I might feel different if I was picking up a series part way in. (I'm kinda neurotic about starting things at their beginning and reading linearly, even in things that can be read out of order.) But as a linear, orderly reader this drives me nuts!

The Evil Cheerleader and Nerd Charming 

Look, I get it. A lot of us who write were nerds, geeks, readers, band people, drama people and pretty much everything else anti-jock / anti-cheer. I'm right there with ya, for the record. Many of us in all of the above lists felt awkward, left out, second class, overlooked, jealous or lonely. Again: sign me up. I never wanted to be "popular" or "cool", but I sure as hell knew I wasn't.

However, our books need not be our platform to seek out vengeance on the jocks and cheerleaders of high school past. The idea that beautiful = bitch and nerd = nice is bullshit. Am I saying "Down with the nerds!". No. But when I see this done over and over and over again it gets old. (And it looks ridiculous and totally cliche.) Something I came to realize when I was writing Sarena, who was *definitely* a "popular girl" in high school, is that she was not sitting there thinking of ways she could put people less pretty / charismatic / etc. then her "in their place". Now, my book is not YA anymore, (she's in college, not HS) but writing her was enlightening.

Two-bit Villains (Hey, Snidley Whiplash!)

I am not a fan of Voldemort. Tom Riddle? Sure. Voldemort? No.

Why? Because for all his supposed persuasiveness and able to get people to band together, I did not feel Voldemort had any depth. Snape? Draco? Both well done. But Voldemort did not work for me.

When it comes to villains, I have always loved the rule that "Even an evil man has a dog that loves him." For a dog to love you, you don't need to do too much. But at the same time, and on the same token, if you abuse a dog long enough it will turn on you. In short: likable characters need flaws, and antagonistic characters need to have some redeeming qualities. It makes--at least in my opinion--for much more engaging and memorable fiction.

I must, of course, offer the fact that I *love* villains who redeem themselves later in a series as rationale for what I'm saying here. (Even though that is not what I'm talking about here.) That's one of my *favorite* things in books, and one of the fastest ways to get me to read something. We all have our literary version of chocolate, or cigarettes, or coffee (or any other addiction). Redemption is mine.

Fantasy heroines must always kick ass. 

I'm not arguing that a heroine should not be accountable for the happy (or not) ending she receives by book's end. We will get to that. What I'm talking about here is this idea that heroines, especially in genres like fantasy, urban fantasy and paranormal romance, need to be this tough, kick ass now and take names later kinda gals.

Don't get me wrong. This kind of character can (and does) work. They are even very popular. What makes this a problem is that it can get to a point where other types of characters, with other skills, personality types (outside of hard-nosed ass kickers), and other ways of completing a story do not get the chance to have their stories told. Maybe, just *maybe*, I'm over sensitive to this since it would be physically impossible for me to *be* that kind of character? Or maybe it's because my patience is as long as a brand new ball of yarn and I like things like humor, forgiveness and compassion in heroines? (Why all the jaded-ness, seriously? Some of the chicks I find in these books need a therapist!)

I think a lot of it comes back to writers wanting to be up to date. To us wanting to prove that we don't need to be "saved by a man" and that if "they can do it, we can too". And both of those statements are true. I'm *not* defending characters who don't play the lead role in their own story. What I am suggesting is that there are other, equally important (and interesting) ways that things can potentially be resolved. (Heck, even having a more 'up' and less 'snarky' sense of humor in an ass kicker would be a welcome change now and then.)

Characters who cheat after they are involved with their love interest / Characters who cheat so they can be with their love interest. 

Want a book to get tossed against the wall in under ten seconds? This is the most surefire way to make that happen. Forget that last line I just wrote about redemption. I hate, loathe and detest cheating with the fire of a thousand suns. I think everyone has something in books that just flat out pisses them off. Cheating is my thing. And the scale of it does not matter. I dropped hearts from Anna and the French Kiss for it. I DNF'd Splintered (even though it was recommended by Marie, who's opinion I deeply value and still trust.) because of it, and it made me like The Vincent Boys far less than The Vincent Brothers. I've gotten smart enough to know that if I can see there's gonna be cheating in a book, I'm best not to read it. Because it totally makes me see red and it throws my objectivity straight out the window.

Heroes who are jackasses until the second-to-last page.

Remember how I said I like villains and redemption and all that jazz? Yeah, well I like it because it's tough to pull off. And when that goes wrong, it goes really wrong, people. See, there's this thing called character growth and if a book doesn't have it, I'm probably gonna stop reading the book. Because as much as I love a cool plot, that plot doesn't mean squat if the characters it's happening to are people I care about.

Now, you probably know my blog is "the blog that rates in hearts". Meaning: I read a *lot* of romance. Like, a lot, a lot. From that, you can probably guess that I love happy endings. And I do. But what I don't love is when we take one jackass bad boy, put him with a mousy girl, let him abuse her verbally, emotionally, stalk her, etc. for 90% of the book and then have said *moron* decide he loves her.

No. Just no. No, no, no, no, no. That enough no's for ya?

Bad boys are like violins. When written (played) write they're beautiful, but when they're messed up they have all the appeal of a cat trying to claw its way down a chalk board. Not pretty.

Cliffhanger endings and Craptacular series middle books

Okay, I'm *cheating* a little here, but I feel these two things sorta go hand-in-hand. Authors: you have never been Tolkien, you are not Tolkien, and you will never be Tolkien. Please, for the love of readers everywhere, quit writing books that don't have an ending. It's frustrating!

I understand if a story needs several books to be told. I'm writing a series myself. But I think it's just lazy when things just abruptly stop on a dime, like the novel I've been reading for 8 to 10 hours is a weekly TV special where I'll only have to write a few days to find out what happens next. In trade publishing authors generally release a book a year. And to put it blunt? I don't want to wait a year to find out if a love interest is dead or not (just as an example, and it's not from any one specific book).

I'm all for leaving things open. But make sure there is some form of a complete story for me to read or I'm going to be annoyed--not anxious to get your next book!

As for the Craptacular Middle Syndrome... All I can say is what's up with that? Is it the second book jinx? Is it just me? Or does anyone else ever feel like just skipping the second books of trilogies until the third come out so the damn things will make sense? I get it: it's the middle. Things are in flux. But again: if I'm buying your book, I want a book. Not just a random chunk of story. Beginning, middle, end. This is basic stuff here, people! :O

Who's story is this, anyway? 

There are so many ways this can go horribly wrong. I can think of two main ones, though. Either (a) the heroine of a novel does not have any real part in resolving a novel's climax, even though she's been narrating it for the past 300+ pages, or (b) the resolution of a novel has nothing to do with anything that has been shown to the reader up to that point. (This is generally called Deus Ex Mechana, or God from the Box; it's when the cavalry comes, rather than the hero(es) having to solve their own problems.

Endings, for me, are the hardest part of writing and this is actually a BIG part of the reason why. Finding the ending the fits the story and characters I have created, and making certain I present it in a way where the reader will feel no other resolution would have fit, is a big challenge. Especially when there are multiple characters involved in the ending, where I am concerned people won't necessarily "get" how important my heroine was to it's outcome.

In simplest terms, an ending must fit naturally into the story it's placed into. But that is far easier said than done.

So, what are your bookish turn-offs / pet peeves? What will make you stop reading? Toss a book across a room? Roll your eyes? I'd love to know, so feel free to leave a comment or link me to your Top 10 Tuesday. :)